Guest Writer - Cheryl B.

Celebrating her life...she will be dearly missed.

 

 

Answer at your own Risk

My mother can send guilt through airwaves
she can accuse me with a sigh
make me confess through silence
find me when I’m hiding out on the other side of the world
she says that I am a part of her
and I should never forget where I came from

she is ready for the next generation
calls me on my cell phone to ask,
“do your cats need anything for back-to-school?”
followed by a round of sardonic cackles
her laughter cuts me
reaches its intended outcome;
I feel like a failure

I am walking down the street when she calls
I stop and face a brick wall
Ball my fist up ready to punch
Instead gently touch the surface

I am afraid to speak
Afraid I will stammer
But she can hear my breath
Exasperated, accusing

“You’re angry at me aren’t you?” she asks “You’ve got to lighten up. I’m the one who’s all alone.
I’m the one walking through Wal mart watching all the other women
my age buying stuff for their grandkids. But that’s okay.”

I have caller ID
I shouldn’t have flipped my phone open
I had a fun evening planned

“I understand you do your thing. Making art, it’s like giving birth. I know you’ve said it before.
But you can’t dress your poems up in little outfits and take them to Disney World.
Oh, and they have such cute stuff too! If only I had a granddaughter.”

I am filled with a rage
Of adolescent proportions
The kind where I’m not sure if I’m angry at my mother or myself

No one else can do this to me

I want to yell at her, I want to scream into my phone
But if I do, I will cry
And if I cry she will win

Sometimes I am the perpetrator
If she is the ringmaster of the guilt circus
I am the grand marshall of the blame parade
Winding down old streets that shouldn’t even exist anymore
I ask her how, when and why
Questions more like accusations

The graffiti beneath my fingertips reads:
“why can’t I tell you that I love you”

It’s as if I’ve just opened a book
And picked out a random line
That makes more sense than it’s supposed to

I tell her I have to go
“Where are you going?” she asks, “Can’t we have a conversation?”
I don’t answer
Just say goodbye, flip the phone closed while she is still talking
She will call again later
Leave several messages

The exchange lasted 30 seconds
But it takes me several moments to remember where I was going

 

REASONS TO STOP

You reach into a dirty toilet to retrieve your lipstick

You get into a fist fight with a metal gate outside of a Ukrainian diner at four am

You pick up a man in a lesbian bar

Your cat silently speaks to you in Spanish

The word “happenstance” is written across your hand in the morning

You stand in the middle of 23rd street on a Saturday night screaming “Why won’t you have sex with me?”

Your beer goggles wear whiskey goggles

Happy Hours make you want to punch holes through plate glass windows

You wake up in some girl’s apartment, one wrist tied to a white wicker couch beneath a poster of Kenny G

You call your mother to see if she can tell how high you are

You call your dealer “mom” by mistake

You call the bartender “faggot” when he won’t serve you anymore

Your friend, you know that one with the serious substance abuse problem,
puts you in a cab

You can’t remember what Sunday looks like

Then there are the nights you walk through the streets crying
And there are already enough women in this city with tears in their eyes

 

The Persistence of Memory

The teenager behind the counter at the pizzeria is checking me out as I

place my order. Then he says, “you look like somebody.”

“Oh,” I say, “I get that a lot.”

I sit down and think he must be thinking I look like Gwen Stefani. I get her a

lot. I can sort of see it too, in the face, the mouth, the eyes, definitely not the abs, or the

wardrobe or the fame and fortune. She seems like a nice person.

The other day I tried to sit on a chair that did not exist. I could have sworn it

was there. But I wound up on the floor in front of all the other customers at the nail

salon. “I can’t wait until you turn 30,” a friend a dozen years my senior once said to

me after I laughed about something age-related and absent-minded that she had done. I

remember saying to myself, obnoxious twenty-something that I was,

“I’ll never do anything that stupid!”

The sound of my 30-year-old ass hitting the floor was phenomenal, like a

thousand flower pots breaking on concrete; at least that’s what I heard. As I stood,

magazines from the shelf I’d brought down cascaded off my body, their pages a glossy

mess spread out on the floor. Smiling faces frozen in photographs looked up at me

There used to be a commercial on TV featuring an old woman. I can’t

remember what the commercial was for but the old woman would say, “You know

something? Some people tell me I’m senile. You want to know something else?

Some people tell me I’m senile.”

Given the pervasiveness of senility in my family, we all found this hilarious.

And it became a catchphrase we would say to each other— when my mother forgot

something she’d just been told, or my father just wasn’t paying attention to us, or my

brother’s ADD was in full throttle or I was deep in the adolescent funk — entire family

fights were staved off by those two lines.

Last month I slipped and fell down the stairs in the hallway of my building. The

pain was unbelievable, as if I’d been broken in half. Turns out I fractured my coccyx,

which sounds like it should be some daring sextoy. A friend suggested a cat o nine tails

but I imagined more of a large, nubbed dildo.

The coccyx is actually the base of your spine “a the emergency room doctor

told me. I left the hospital with an ice pack and a prescription for painkillers that I threw

away—too many friends with prescription drug dependency.

Also, I was told to purchase a donut-like apparatus to sit on. The woman

behind the counter at the drug store blurted out, “Whaddya got, hemorrhoids?” Turns out

they don’t sell them. The feel of the ice pack against my skin stimulated my bladder and

I limped to the bathroom every five minutes for the rest of the day, the icy load packed into my pants.

Certainly, a Depends undergarment can’t be far in my future.

My mother is twice my age. She leaves her gas on while she goes out

shopping one afternoon, notices her mistake hours later and finally turns it off. The next

day she leaves a candle burning in the same kitchen overnight while she is in Atlantic

City. The slot machines she patronizes are operated by buttons, no need to pull a lever or

pump coins. Just insert your bill in the slot, press one button to place your bet, another to

spin the wheels. My mother keeps one hand on her purse, the other interacts with the

machine. Her cigarette burns in an ashtray, her coffee goes cold nearby.

She is surrounded by women just like her: lonely, perhaps

widowed like my mother or divorced. Some thin and frail, others wholly round like

grapes. They wear sweaters adorned with jewels, satin teddy bears or leopards made out of snakeskin.

“The kids don’t call enough,” hit the slot machines. “I’ve wasted my life taking

care of other people,” hit the slot machines. All are lulled into denial by the whirring and

flashing of these tiny evil robots.

I’ve heard that she refers to me as “the mother-in-law” because I scold her,

Remind her to go on a daily walk and organize her bills. Some months she forgets to pay

them. Other months she pays them twice, then all her checks bounce. I remind her that

her father was senile, that these things are hereditary. I say to her, “Some people tell me

I’m senile…” And these days instead of laughing she tells me to shut up.

My grandfather walked to the A&P everyday and bought exactly six Dannon

yogurts and a gallon of milk for my grandmother’s osteoporosis. He also snuck a candy

bar he wasn’t supposed to eat on account of his diabetes. When he got home my

grandmother, noticing all the yogurts, would scream at him. Their Frigidaire was already

full of the small wax paper containers in a variety of colors. It took a while but

eventually he started mistaking his wife for his mother, my mother for his niece and I

became the little girl who used to live down the street.

Meanwhile back at the pizzeria, the kid motions for me to come up to the

counter. My order is ready. On my way, I can see him looking at me up and down.

He hands me my slice.

“Is it hot enough?” he asks, looking right at me.

I felt the crust, my favorite part.

“Seems hot enough for me,” I say without looking at him.

“Okay, ma’am.” I shudder at the word “ma’am. ” At what point does one stop

being a “miss” and become a “ma’am?” I wonder as I head for the door.

One foot on the sidewalk, one foot still inside the pizzeria, my slice folded in

half on its paper plate I hear the kid yell, “Hey lady!” I stick my head back in and look at him.

“I figured out who you look like!” He was wiping the counter and didn’t look

up to talk to me this time.

“You look like my friend’s mother,” he says. “I’m glad I figured it out; it was driving me crazy.”

“Oh, okay,” I say and turn to leave the store and I wonder at what point do you

go from looking like a rock star to looking like somebody’s mother.

Out on the sidewalk I could hear the kid yell. “Hey Ma’am! Have a nice day!”

Cheryl B. is a poet, spoken-word performer and
nonfiction writer. Her work appears in over two dozen
publications including; Pills, Thrills, Chills and
Heartache: Adventures in the First Person (Alyson) and
The Milk of Almonds: Italian-American Women Writers on
Food & Culture (Feminist Press, 2002) among many
others. She is the recipient of a 2003 Poetry
Fellowship from the New York Foundation for the Arts
and a writer’s residency from the Virginia Center for the Creative Arts.

Cheryl cut her performance teeth at New York City’s
famed Nuyorican Poets Café while still a college
student. She quickly established a dynamic stage
presence and garnered an eclectic following. For the
past decade, she has presented her work all over NYC,
toured extensively throughout the U.S. (Jezebelle2000,
Plains English Tours) and internationally (Apples &
Snakes, Shakespeare and Co., etc.). In the summer of
2004, Cheryl was the only American poet to perform at
the Edinburgh International Fringe Festival where she
premiered a one-woman spoken-word show “Part-time Rock Star.”

A native New Yorker, Cheryl is a graduate of NYU and
the MFA program at The New School. She lives in
Brooklyn, where she curates and hosts Atomic: The
Reading Series with Something for Everyone.
Her website is www.cherylb.com.